Bill Evans Portrait In Jazz Rar Zip For Mac
Bill Evans Trio - Explorations (1961/2011) FLAC (tracks) 24 bit/96 kHz Time - 60:06 minutes 1,15 GB Studio Master, Official Digital Download Artwork: Digital booklet The second album by the original Bill Evans group was recorded after the pianist, bassist Scott LaFaro, and drummer Paul Motian had spent a year working together and honing the telepathy that established a new standard for trio interaction. Featuring intimate readings of several standards, plus three compositions from the jazz world that became synonymous with the trio's sounds, and with ample space for LaFaro's virtuosity to shine, the album was cited by Evans years later as among his own favorite recordings.
Bill Evans Portrait In Jazz Rar Zip For Mac Torrent
With an excellent performance of 'The Boy Next Door' (omitted from the original release for lack of space) and an alternate take of 'Beautiful Love,' this edition of Explorations contains all of the music preserved by one of jazz's seminal bands on its final visit to a recording studio, plus two previously released alternate takes. “ This interesting album was originally released posthumously in 1982. Pianist Bill Evans is featured on four duets with his longtime bassist Eddie Gomez in 1974-75, exploring a quartet of superior standards.
The second half of the program (which dates from 1973 and 1975) is not on the same level. Icube usb webcam for mac. Evans is heard playing two songs he was not all that familiar with late at night at a club, and he performs two other songs and a wandering medley while rehearsing in a recording studio. Being a musical perfectionist, it is a bit doubtful if he would have wanted this music to be released although longtime Bill Evans collectors will find the explorations to be intriguing.
Sadly, and perhaps like a lot of people born prior to the last quarter of the twentieth century, I sold off most of my record collection in the 1990s, not long after the compact disc became the standard currency of recorded music. Happily, I had enough good sense to hold onto a select few treasures; some because they hadn't yet made it onto the new digital format at the time, some merely because I'd grown too attached to them to part ways. Nevertheless, my lovingly maintained, mostly mint collection was depleted by some seventy-five to eighty percent before the turn of the millennium.
A decade or so later, in part because of a wistful yearning for the look and feel of an album cover in my hands while its companion 12-inch vinyl disc rotated on a nearby turntable in the comfort of my home, I began re- buy ing a few lost gems now and then at flea markets, secondhand shops, used record stores, and online auction sites. Along the way I also picked up some classics - as well as a few quirk-satisfying oddities - that I hadn't gotten around to acquiring the first time around. Additionally, w hen we moved my mother to an assisted living community in 2009, I adopted her and my late father's modest but diverse (and long dormant) record collection (there was no room for their circa 1968 hi-fi console in her new apartment - I now wish I'd adopted that, too), which included artists ranging from Glen Campbell to Herb Alpert & the Tijuana Brass to the Lemon Pipers. Mom did her best to stay hip.
On display below is a cross-section of my collection as it exists today. There are no new 180 gram LPs, the kind associated with the hipster-generated vinyl quasi- renaissance. In fact, nothing you see here was released post-19 90. All are first or early pressings in their original incarnations (rare exceptions are noted) and, no less importantly, with their original covers. No longer a mere sampling of past glory, the collection is again robust and healthy. Enough to evoke memories of how much these things can be a pain to store.